NEW: LARGE FORMAT EDITION
If you want to take you polymer clay art works to the next level of realism this full size edition of Angie Scarr's Colour Book will be one of your very best friends.
Have you ever been frustrated when your polymer clay colour mixes didn't come out as you expected?
Have you ever wondered why some artists/miniaturists work just jumps out at you as more realistic?
Did you ever wonder why some polymer clay miniature foods just look heavy and unrealistic?
Do you understand the relationship between polymer clay colours and the light under which they are displayed?
This Colour Book is a distillation of Angie's 30 plus years of finding out she was just a little more obsessed with the colour of fruit and vegetables and other elements of nature than most 'normal' people!
When reproducing the colours of nature in polymer clay, pigment and light can become really complicated subjects as Angie discovered while writing this book.
This is her exploration of, and attempt to simplify, the subject and make it accessible to all while still providing some meaty questions for the professionals among her readers to get their teeth into.
This book will be of interest to miniaturists and artists in polymer clay who wish to add serious realism to their art and are prepared to work to get it.
If you want to take you polymer clay art works to the next level of realism this full size edition of Angie Scarr's Colour Book will be one of your very best friends.
Have you ever been frustrated when your polymer clay colour mixes didn't come out as you expected?
Have you ever wondered why some artists/miniaturists work just jumps out at you as more realistic?
Did you ever wonder why some polymer clay miniature foods just look heavy and unrealistic?
Do you understand the relationship between polymer clay colours and the light under which they are displayed?
This Colour Book is a distillation of Angie's 30 plus years of finding out she was just a little more obsessed with the colour of fruit and vegetables and other elements of nature than most 'normal' people!
When reproducing the colours of nature in polymer clay, pigment and light can become really complicated subjects as Angie discovered while writing this book.
This is her exploration of, and attempt to simplify, the subject and make it accessible to all while still providing some meaty questions for the professionals among her readers to get their teeth into.
This book will be of interest to miniaturists and artists in polymer clay who wish to add serious realism to their art and are prepared to work to get it.
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