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Andy Warhol

Andy Warhol

by Arthur C. Danto
Paperback
Publication Date: 28/09/2010

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An elegant, masterful portrait of Andy Warhol's life, character, and lasting influence by an eminent art critic.

In a work of great wisdom and insight, art critic and philosopher Arthur Danto delivers a compact, masterful tour of Andy Warhol's personal, artistic, and philosophical transformations. Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon. He offers close readings of individual Warhol works, including their social context and philosophical dimensions, key differences with predecessors such as Marcel Duchamp, and parallels with successors like Jeff Koons. Danto brings to bear encyclopedic knowledge of Warhol's time and shows us Warhol as an endlessly multidimensional figure-artist, political activist, filmmaker, writer, philosopher-who retains permanent residence in our national imagination.

Danto suggests that "what makes him an American icon is that his subject matter is always something that the ordinary American understands: everything, or nearly everything he made art out of came straight out of the daily lives of very ordinary Americans. . . . The tastes and values of ordinary persons all at once were inseparable from advanced art."
ISBN:
9780300169089
9780300169089
Category:
Art & design styles: Pop art
Format:
Paperback
Publication Date:
28-09-2010
Language:
English
Publisher:
Yale University Press
Country of origin:
United States
Pages:
192
Dimensions (mm):
210x140x1mm
Weight:
0.23kg
Arthur C. Danto

Arthur C. Danto (1924-2013) was Johnsonian Professor of Philosophy Emeritus at Columbia University and the longtime art critic for the Nation. His Columbia University Press books include Nietzsche as Philosopher, Narration and Knowledge, and The Philosophical Disenfranchisement of Art. Perhaps the most influential philosopher of art of the second half of the twentieth century, Danto is acclaimed for developing the concept of the "artworld" and for seeing in the work of Warhol and others the "end of art."

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