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Argonauts The

Argonauts The 1

by Maggie Nelson
Paperback
Publication Date: 13/04/2016
3/5 Rating 1 Review

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An intrepid voyage out to the frontiers of the latest thinking about love, language and family Maggie Nelson's The Argonauts is a genre-bending memoir, a work of 'autotheory' offering fresh, fierce and timely thinking about desire, identity and the limitations and possibilities of love and language.

At its centre is a romance: the story of the author's relationship with the artist Harry Dodge.

This story, which includes the author's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, is an intimate portrayal of the complexities and joys of (queer) family making.

Writing in the spirit of public intellectuals such as Susan Sontag and Roland Barthes, Nelson binds her personal experience to a rigorous exploration of what iconic theorists have said about sexuality, gender, and the vexed institutions of marriage and child-rearing.

Nelson's insistence on radical individual freedom and the value of caretaking becomes the rallying cry for this thoughtful, unabashed, uncompromising book. 

ISBN:
9781925355604
9781925355604
Category:
Memoirs
Format:
Paperback
Publication Date:
13-04-2016
Publisher:
The Text Publishing Company
Pages:
192
Weight:
0.15kg
Maggie Nelson

Maggie Nelson is the author of several books of poetry and prose, including the New York Times bestseller and National Book Critics Circle Award winner The Argonauts, and most recently in the UK, Bluets. She teaches at University of Southern California and lives in Los Angeles.

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“In Opie’s nursing self-portrait, she holds and beholds her son Oliver while he nurses, her Pervert scar still visible, albeit ghosted, across her chest. The ghosted scar offers a rebus of sodomitical maternity: the pervert need not die or even go into hiding per se, but nor is adult sexuality foisted upon the child, made its burden”

The Argonauts is the ninth book by American poet, art critic, lyric essayist and nonfiction author, Maggie Nelson. Described as a memoir, it is more of an opinion piece on LGBTQ+ issues, in particular, transgender and queer. It is told in the first person by Nelson, and addressed to her (fluidly-gendered) “husband”, artist, performer and writer Harry Dodge.

Nelson touches on a myriad of topics: gender and identity, motherhood, transgender, queer families, same-sex marriage, writing and death. The opinion pieces contain occasional gems of wisdom, but soon become somewhat preachy, tedious, and boring. Many of the people described have the luxury of indulging in first-world angst, so perhaps this is the intended reader base for this book.

Sometimes the writing is not easily accessible: the concepts are so abstract and high-brow, the sentences so convoluted as to need rereading multiple times; no reader enjoys being made to feel stupid or ignorant. Nelson assumes in the reader familiarity with certain linguists, philosophers, writers, artists, poets, psychoanalysts, and unquestionably a basic knowledge of their works, ideas and concepts would increase the appeal of the book. When she quotes the work of others, her reference appears as a name printed in the margin of the text.

What redeems this work from a lower rating is that Nelson (and sometimes Harry) shares important parts of their lives: their relationship as lovers and their wedding, Harry’s steps towards transgender, Nelson’s relationship with her stepson, Nelson’s stalker, their journey toward parenthood and the birth of their son, Iggy. Harry’s account of his mother’s passing is quite moving.

Nelson has won the 2015 New York Times Notable Book and the 2016 National Book Critics Circle Award (Criticism) for The Argonauts. An unusual memoir.

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