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Art After Instagram

Art After Instagram

Art Spaces, Audiences, Aesthetics

by Lachlan MacDowall and Kylie Budge
Hardback
Publication Date: 24/12/2021
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This book explores the effects of the Instagram platform on the making and viewing of art.

Authors Lachlan MacDowall and Kylie Budge critically analyse the ways Instagram has influenced artists, art spaces, art institutions and art audiences, and ultimately contemporary aesthetic experience. The book argues that more than simply being a container for digital photography, the architecture of Instagram represents a new relationship to the image and to visual experience, a way of shaping ocular habits and social relations. Following a detailed analysis of the structure of Instagram - the tactile world of affiliation ('follows'), aesthetics ('likes') and attention ('comments') - the book examines how art spaces, audiences and aesthetics are key to understanding its rise.

The book will be of interest to scholars working in art history, design, digital culture, cultural studies, sociology, education, business, media and communication studies.
ISBN:
9780367431969
9780367431969
Category:
The arts: general issues
Format:
Hardback
Publication Date:
24-12-2021
Publisher:
Taylor & Francis Ltd
Country of origin:
United Kingdom
Pages:
160
Dimensions (mm):
246x174mm
Weight:
0.38kg
Lachlan MacDowall

Working across art-making and academia over three decades, Lachlan MacDowall is a scholar of graffiti, street art and digital culture, best known for pioneering research methods that mix genres, images and data. As a writer and photographer, he has pioneered new methods to register the complexity of graffiti and street art, including its rise as cultural heritage, challenges to documentation and photographic practices, the uses of bio-social paradigms, the analysis of data-rich environments and its connection to white supremacism and the alt-right.

He has published widely on the history and aesthetics of graffiti and street art, including in his most recent books Instafame: Graffiti and Street Art in the Instagram Era (2019) published by Intellect Books and the University of Chicago Press and (with Kylie Budge) Art After Instagram: Art Spaces, Audiences, Aesthetics (2022) published by Routledge. His work has been translated into French and Italian. He is currently an Associate Professor and Director of the MIECAT Institute in Melbourne, Australia and a Senior Research Fellow (Hon) in the School of Historical and Philosophical Studies at the University of Melbourne.

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You can find this item in:

History of art / art & design styles Digital animation The arts: general issues Electronic Media studies Art & design styles: from c 1960 Photography & photographs Museology & heritage studies
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