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Artaud Anthology

Artaud Anthology

by Antonin Artaud
Paperback
Publication Date: 02/01/2001

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"I am the man," wrote Artaud, "who has best charted his inmost self." Antonin Artaud was a great poet who, like Poe, Holderlin, and Nerval, wanted to live in the infinite and asked that the human spirit burn in absolute freedom.

To society, he was a madman. Artaud, however, was not insane but in luciferian pursuit of what society keeps hidden. The man who wrote Van Gogh the Man Suicided by Society raged against the insanity of social institutions with insight that proves more prescient with every passing year. Today, as Artaud's vatic thunder still crashes above the "larval confusion" he despised, what is most striking in his writings is an extravagant lucidity.

This collection gives us quintessential Artaud on the occult, magic, the theater, mind and body, the cosmos, rebellion, and revolution in its deepest sense.

"[I]n France his position extends beyond the theater, and indeed beyond any literary genre. Although he seems to have written incessantly in a sort of violent poetic prose which he scattered in all directions, his actual compositions have always been less well known than his personality. His prestige in literary circles depends in the first place on the fact that he was an abnormal individual, totally committed to the expression or exploration of his abnormality and quite oblivious of any of the requirements of ordinary living." --John Weightman, New York Review of Books

ISBN:
9780872860001
9780872860001
Category:
Anthologies (non-poetry)
Format:
Paperback
Publication Date:
02-01-2001
Language:
English
Publisher:
City Lights Books
Country of origin:
United States
Edition:
2nd Edition
Dimensions (mm):
203.2x139.7x17.78mm
Weight:
0.33kg
Antonin Artaud

Founder of the Theatre of Cruelty and a strong influence on Peter Brook, Antonin Artaud dedicated his life and sanity to purging the contemporary French theatre of its bourgeois tendencies. Artaud's cherished dream was to found a new kind of theatre in France that would not be an artistic spectacle alone but a communion between spectators and actors.

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