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Edward Ruscha

Edward Ruscha

Catalogue Raisonne of the Paintings: Volume Two: 1971-1982

by Reyner Banham
Hardback
Publication Date: 19/09/2005

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The Catalogue Raisonne of Paintings of Ed Ruscha is a six-volume series of books co-published by Steidl and Gagosian Gallery. This is the second volume, which contains entries on 178 paintings completed between 1971 and 1982 - from the artist's crisis at the onset of the seventies, when he quits painting pictures, to his first major museum retrospective, which opened in March 1982 at the San Francisco Museum of Modern Art. The catalogue includes a comprehensive exhibition history, bibliography and biographical chronology, as well as a preface by the editor Robert Dean, an essay by UCLA film historian Peter Wollen examining Ruscha's use of color as it relates to his use of language, and an essay by the late Reyner Banham.
ISBN:
9783865211385
9783865211385
Category:
Painting & paintings
Format:
Hardback
Publication Date:
19-09-2005
Language:
English
Publisher:
Steidl Publishers
Country of origin:
Germany
Pages:
546
Dimensions (mm):
290x241x56mm
Weight:
3.82kg
Reyner Banham

Peter Reyner Banham (1922-1988) was an English critic and historian whose articles, books, and lectures helped define the understanding of modern architecture and technology. A student of such early twentieth-century intellectual masters as Nikolaus Pevsner and Sigfried Giedion, he would go on to intersect with some of the revolutionary cultural movements of his era, from Brutalist architecture to Pop Art.

In the 1960s he lived primarily in the United States, and authored one of the classic books on Los Angeles landscape and urbanism, Los Angeles: The Architecture of Four Ecologies. He authored numerous other important books, including Theory and Design in the First Machine Age, Architecture of the Well-Tempered Environment, Megastructure: Urban Futures of the Recent Past, Scenes in America Deserta, and A Concrete Atlantis- US Industrial Building and European Modern Architecture.

He died in London shortly after being appointed Sheldon H. Solow Professor of the History of Architecture at the Institute of Fine Arts, New York University.

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