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Max Dupain

Max Dupain

A Portrait of the New Landmark Biography of Australia's Most Iconic Photographer from Leading Curator and Award-Winning Author of OLIVE COTTON

by Helen Ennis
Hardback
Publication Date: 30/10/2024

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From multi-award-winning writer Helen Ennis comes the first ever biography of the photographer Max Dupain, the most influential Australian photographer of the 20th century and creator of many iconic images that have passed into our national imagination.

Max Dupain (1911-1992) was a major cultural figure in Australia, and at the forefront of the visual arts in a career spanning more than fifty years. During this time he produced a number of images now regarded as iconically Australian. He championed modern photography and a distinctive Australian approach.

To date, Dupain has been seen mostly in one-dimensional, limited and limiting terms - as exceptional, as super masculine, as an Australian hero. But this landmark biography approaches him as a complex and contradictory figure who, despite the apparent certitude of his photographic style, was filled with self-doubt and anxiety. Dupain was a Romantic and a rationalist and struggled with the intensity of his emotions and reactions. He wanted simplicity in his art and life, but found it difficult to attain. He never wanted to be ordinary.

Examining the sources of his creativity - literature, art, music - alongside his approaches to masculinity, love, the body, war, and nature, Max Dupain: A Portrait reveals a driven artist, one whose relationship to his work has been described as 'ferocious' and 'painful to watch'. Photographer David Moore, a long-term friend, said he 'needed to photograph like he needed to breathe. It was part of him. It gave him his drive and force in life.'

ISBN:
9781460764800
9781460764800
Category:
Individual artists
Format:
Hardback
Publication Date:
30-10-2024
Language:
English
Publisher:
HarperCollins Publishers Australia
Country of origin:
Australia
Helen Ennis

Helen Ennis was formerly Curator of Photography at the National Gallery of Australia (1985-1992), going on to become Director of the Centre for Art History and Art Theory and Sir William Dobell Chair of Art History at ANU School of Art & Design (2014-18).

She is currently Emeritus Professor. Helen has worked extensively as a photography curator and writer. Since 2000 she has curated eight major exhibitions for the National Portrait Gallery, National Gallery of Australia, National Library of Australia and other cultural institutions. Her many books include Photography and Australia (Reaktion), Reveries: Photography and Mortality (National Portrait Gallery).

Her biography, Margaret Michaelis: Love, loss and photography (National Gallery), won the Victorian Premier's Literary Award for Non-Fiction and was judged Best Book by the Art Association of Australia and New Zealand, both in 2006. Helen's research on Cotton has been supported by the Australia Council Literature Board and the ABR George Hicks Foundation Fellowship; and related essays have been published in Meanjin and ABR.

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