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Monumental Graffiti

Monumental Graffiti

Tracing Public Art and Resistance in the City

by Rafael Schacter
Hardback
Publication Date: 29/10/2024

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What graffiti says about contemporary society, and why it demands our urgent attention as a form of civic expression.

What is graffiti--vandalism, ornament, art? What if, rather than any of those things, we thought of graffiti as a monument? How would that change our understanding of graffiti, and, in turn, our understanding of monument? In Monumental Graffiti, curator and anthropologist Rafael Schacter focuses on the material, communicative, and contextual aspects of these two forms of material culture to provide a timely perspective on public art, citizenship, and the city today. He applies monument as a lens to understand graffiti and graffiti as a lens to comprehend monument, challenging us to consider what the appropriate monument for our contemporary world could be.

Monumental Graffiti unpacks today's iconoclastic moment, showing us why graffiti demands our urgent attention as a form of expression that challenges power structures by questioning whose voices are included in--and whose are excluded from--public space. Written from twenty years of embedded research on graffiti, the book includes works from graffiti writers such as 10Foot, Delta, Egs, Honet, Mosa, Petro, Revok, and Wombat, alongside those of artists such as Francis AlYs, Jeremy Deller, Thomas Hirschhorn, Jenny Holzer, Klara Liden, Gordon Matta-Clark, William Pope.L, Cy Twombly, and many more.

Richly illustrated, this study of graffiti as monument and monument as graffiti is as fascinating as it is ethnographically expansive.

ISBN:
9780262049221
9780262049221
Category:
Graffiti & street art
Format:
Hardback
Publication Date:
29-10-2024
Language:
English
Publisher:
MIT Press
Country of origin:
United States
Dimensions (mm):
236x187x32mm
Weight:
1.06kg
Rafael Schacter

Dr Rafael Schacter is an anthropologist and curator from London. He co-curated the Street Art' exhibition at Tate Modern, London, in 2008. He has written for a variety of publications and has lectured on Independent Public Art around the world.

His ethnography, Ornament and Order, is based on an ongoing engagement as well as more than two years' in-depth fieldwork with some of the world's most important Independent Public Artists.

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