collection represents the former. The essays reflect the founders' interest in medieval music, both monophonic and polyphonic, and, particularly, their concern with chant. From its inception, the PMMS has
directed much of its attention to the British source of medieval music, the music which might contribute to a renewal of the liturgy of the Anglican church, and this is reflected here. The contributors to this volume are among the most distinguished scholars of medieval music of recent years. Their essays are complemented by many music examples and a number of line drawings.
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