Thomas Bauer stellt die Figuren der Selbstbezuglichkeit von Schrift in den Mittelpunkt der Lekture und analysiert den literarischen Text als Schrift und mediales Objekt. Er zeigt, wie die technischen Apparate der Schrift und des Bildes die Literatur als kommunikativen Akt neu situieren und weist in Brinkmanns Texten Strategien der Bedeutungserzeugung nach.
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