Augmented Musical Instruments and Gesture Recognition.- Investigation of the Harpist/Harp Interaction.- Sonically Augmented Artifacts: Design Methodology Through Participatory Workshops.- Vibrotactile Feedback for an Open Air Music Controller.- Automatic Classification of Guitar Playing Modes.- Extracting Commands From Gestures: Gesture Spotting and Recognition for Real-time Music Performance.- Music and Emotions: Representation, Recognition, and Audience/Performers Studies.- Making Explicit the Formalism Underlying Evaluation in Music Information Retrieval Research: A Look at the MIREX Automatic Mood Classification Task.- On the Perception of Affect in the Singing Voice: a Study of Acoustic Cues.- Novel Methods in Facilitating Audience and Performer Interaction using the Mood Conductor Framework.- The Art of Sonification.- Making Data Sing: Embodied Approaches to Sonification.- Seismic Sound Lab: Sights, Sounds and Perception of the Earth as an Acoustic Space.- Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis.- When Auditory Cues Shape Human Sensorimotor Performance.- Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble Performance.- Moving with Beats and Loops: the Structure of Auditory Events and Sensorimotor Timing.- Learning Movement Kinematics with a Targeted Sound.- Audio-motor Synchronization: the Effect of Mapping Between.- Kinematics and Acoustic Cues on Geometric Motor Features.- Movement Sonification for the Diagnosis and the Rehabilitation of Graphomotor Disorders.- Music and Sound Data Mining.- MidiFind: Fast and Effective Similarity Searching in Large MIDI Databases.- Finding Repeated Patterns in Music: State of Knowledge, Challenges, Perspectives.- Fragmentations with Pitch, Rhythm and Parallelism Constraints for Variation Matching.- Predicting Agreement and Disagreement in the Perception of Tempo.- Interactive Sound Synthesis.- Music: Ars Bene Movandi.- A Virtual Reality Platform for Musical Creation: GENESIS-RT.- Interactive Sound Texture Synthesis through Semi-Automatic User Annotations.- Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound.- Non-stationarity, Dynamics and Mathematical Modeling.- The Large Time-Frequency Analysis Toolbox 2.0.- Sparse Gabor Multiplier Estimation for Identification of Sound Objects in Texture Sound.- Waveform-Aligned Adaptive Windows for Spectral Component Tracking and Noise Rejection.- Image-Sound Interaction.- Sound and Gesture.- Changing the Interval Content of Algorithmically Generated Music Changes the Emotional Interpretation of Visual Images.- The Perception of Sound Movements as Expressive Gestures.- Musical Sonification of Avatar Physiologies, Virtual Flight and Gesture.- IX - Auditory Perception and Cognitive Inspiration Understanding Coarticulation in Musical Experience.- Symbolic Segmentation: A Corpus-Based Analysis of Melodic Phrases.- Non-Verbal Imitations as a Sketching Tool for Sound Design.- Influence of Rehearsal in an Auditory Memory Model for Audio Feature Estimation.- X - Modeling of Sound and Music - Computational Musicology.- Cognitive Similarity Grounded by Tree Distance from the Analysis of K.265/300e.- Group Delay Function from All-Pole Models for Musical Instrument Recognition.- A Multiple-Expert Framework for Instrument Recognition.- Syncopation as Transformation.- Cent Filter-banks and its Relevance to Identifying the Main Song in Carnatic Music.