Throughout the 20th century, the performing and visual arts have often converged. As artists investigated the embodied value of form, dancers and choreographers experimented with interfaces between annotation and improvisation. These encounters are the focus of this collection, which discusses the interaction of the two mediums since the first public performance of the Judson Dance Theater in 1962. Contributors include Cindy Van Acker, Gabriele Brandstetter, Sarah Burkhalter, Pauline Chevalier, Mark Franko, Katrin Gattinger, Julie Enckell Julliard, Anne Teresa De Keersmaeker, Magali Le Mens, Laetitia Legros, Anna Lovatt, Nolwenn Megard, Robert Morris, OpenEndedGroup, Nadia Perucic, Catherine Queloz, Yvonne Rainer, Robin Rhode, Susan Rosenberg, Laurence Schmidlin, Katia Schneller, Alexander Schwan, Alan Storey and Catherine Wood.