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The Beloved Vision

The Beloved Vision

Music in the Romantic Age

by Stephen Walsh
CD-Audio
Publication Date: 16/04/2024

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When one thinks of "great" classical music, we harken back to the nineteenth century and the Romantic tradition. The emotional resonance of nineteenth century has moved generations musicians and resonated with countless listeners. It has inspired artists and writers. But no writer until how has adopted such an insightful narrative approach as Stephen Walsh and he shows how there is more to Romantic music that meets the eye--and the ear. The Beloved Vision links the music history of this singular epoch to the ideas that lay behind Romanticism in all its manifestations. In this account, we come to understand the phase in music history that has become the mainstay of the twentieth and twenty-first century concert and operatic repertoire. The narrative begins in the eighteenth century, with C.P.E. Bach, Haydn and the literary movement known as Sturm und Drang. The windows are flung open, and everything to do with style, form, even technique, is exposed to the emotional and intellectual weather, the impulses and preferences of the individual composer. It's a colorful story, told with passion but also with the precision and clarity of detail for which Stephen Walsh is so widely admired.
ISBN:
9798874644390
9798874644390
Category:
Uncategorized
Format:
CD-Audio
Publication Date:
16-04-2024
Language:
English
Publisher:
Tantor Media, Incorporated
Country of origin:
United States
Dimensions (mm):
190.5x134.62mm
Stephen Walsh

Stephen Walsh is a Professor of Music at Cardiff University, and the author of several books on music, including Musorgsky and His Circle (Faber, 2013) which was shortlisted for the Pushkin House Russian Book Prize in 2014.

The first volume of his major biography of Stravinsky - Stravinsky: A Creative Spring - won the Royal Philharmonic Society prize in 2000. Volume Two - Stravinsky: The Second Exile - was chosen by the Washington Post as one of the ten best books of 2006.

He was deputy music critic of The Observer from 1966 to 1985. He now reviews for theartsdesk.com website and broadcasts regularly for BBC Radio 3

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