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The Parthenon Marbles Dispute

The Parthenon Marbles Dispute

Heritage, Law, Politics

by Alexander Herman
Hardback
Publication Date: 16/11/2023

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Why are we still arguing over the Parthenon Marbles? This book offers a fresh take on the history of those famous pieces of ancient sculpture removed from the Acropolis in Athens by Lord Elgin's men in the early 19th century. It explains how they became the cause célèbre of the larger debates around cultural heritage and restitution now taking place. The subject is one that is currently embroiling museums, governments, universities and the public at large.

Herman provides a balanced, thorough and critical account of the history of the Marbles, while considering the legalities of their initial removal and the ethics of their retention by the British Museum. It incorporates the views of curators, museum directors, lawyers, archaeologists, politicians and others in both London and Athens. It explains why this particular dispute has not been satisfactorily resolved, and suggests new ways of seeking resolution - for the Parthenon Marbles and for the many other cultural treasures held in museum collections outside their countries of origin.

The book sets out a way forward for this famously intractable dispute, one based on evidence of past practice, legal rules around the transfer of cultural objects and the role of museums in negotiating international exchanges.

ISBN:
9781509967186
9781509967186
Category:
Restitution
Format:
Hardback
Publication Date:
16-11-2023
Language:
English
Publisher:
Bloomsbury Publishing PLC
Country of origin:
United Kingdom
Dimensions (mm):
233.93x155.96x14.22mm
Weight:
0.49kg
Alexander Herman

Alexander Herman is Assistant Director of the Institute of Art and Law and co-directs the 'Art, Business and Law' LLM developed in partnership with the Centre for Commercial Law Studies at Queen Mary, University of London. He recently led an Arts Council England project to draft guidance for UK museums on the restitution and repatriation of collection items, and his articles on art-law and restitution issues appear regularly in The Art Newspaper.

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