1. ​Introduction; Samuel Ravengai and Owen Seda.- 2. Chapter 1: Colonial Zimbabwean Theatre, Cultural Production and the Interplay with Rhodesian Power and Discourse; Samuel Ravengai.- 3. Chapter 2: Negotiating Whitehood: Identity and Resistance in Rhodesian Theatre 1950-1980; Kelvin Chikonzo and Samuel Ravengai.- 4. Chapter 3: Transformative Complexity of Found Objects in Devised Zimbabwean Theatre; Tafadzwa Mlenga and Nehemiah Chivandikwa.- 5. Chapter 4: Amakhosi Theatre Training (1990-2000): An Exercise in Syncretism; Nkululeko Sibanda and Julia Yule.- 6. Chapter 5: Contestation in Post-Colonial Drama - Residual and Emergent Consciousness in Zimbabwean Theatre at Independence: NTO and ZACT; Owen Seda.- 7. Chapter 6: Creating Counter-Public Sphere(s): Performance in Zimbabwe between the Influence of Mugabe and Western NGOs; Julius Heinicke.- 8. Chapter 7: 'I was never a white girl and I do not want to be a white girl': Albinism, Youth Theatre and Disability Politics in Contemporary Zimbabwe; Chiedza Chinhanu, Nehemiah Chivandikwa and Owen Seda.- 9. Chapter 8: Popular Theatre as a Struggle for Identity and Representation in Matabeleland: 1980 to the Present; Mandlenkosi Mpofu, Cletus Moyo and Nkululeko Sibanda.- 10. Chapter 9: Harnessing the Whirlwind: Hybridity, Memory, and Crisis in Theatre during Zimbabwe's Operation Murambatsvina; Joy L Wrolson.- 11. Chapter 10: Towards a Democratic Protest Theatre in Zimbabwe: Vhitori Entertainment's Protest Revolutionaries (2012); Kelvin Chikonzo.- 12. Chapter 11: Who is Indigenous? Freeing Indigeneity from a Time Warp; Pedzisai Maedza.