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Theatre Histories

Theatre Histories

An Introduction

by Tamara UnderinerCarol Fisher Sorgenfrei Bruce McConachie and others
Paperback
Publication Date: 23/02/2016

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This thoroughly revised and updated third edition of the innovative and widely acclaimed Theatre Histories: An Introduction offers a critical overview of global theatre and drama, spanning a broad wealth of world cultures and periods. Bringing together a group of scholars from a diverse range of backgrounds to add fresh perspectives on the history of global theatre, the book illustrates historiographical theories with case studies demonstrating various methods and interpretive approaches.

Subtly restructured sections place the chapters within new thematic contexts to offer a clear overview of each period, while a revised chapter structure offers accessibility for students and instructors. Further new features and key updates to this third edition include:

  • A dedicated chapter on historiography
  • New, up to date, case studies
  • Enhanced and reworked historical, cultural and political timelines, helping students to place each chapter within the historical context of the section
  • Pronunciation guidance, both in the text and as an online audio guide, to aid the reader in accessing and internalizing unfamiliar terminology
  • A new and updated companion website with further insights, activities and resources to enable students to further their knowledge and understanding of the theatre.
ISBN:
9780415837965
9780415837965
Category:
Dance & other performing arts
Format:
Paperback
Publication Date:
23-02-2016
Language:
English
Publisher:
Routledge
Country of origin:
United States
Edition:
3rd Edition
Dimensions (mm):
245x188x29mm
Weight:
1.35kg
Tamara Underiner

Tamara Underiner is an Associate Professor in the School of Music, Dance and Theatre at Arizona State University, USA, and the Director of the PhD program in Theatre and Performance of the Americas.

Tobin Nellhaus

Tobin Nellhaus is an Independent Scholar. He writes mainly on the relationship between theatre and communication practices, and on critical realism in theatre theory and historiography.

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