Sometimes you need to delve into the past, to make sense of the present
Alice had not expected to spend most of the twenty-first century writing about Leonard Woolf. When she stood on Morell Bridge watching fireworks explode from the rooftops of Melbourne at the start of a new millennium, she had only two thoughts. One was: the fireworks are better in Sydney. The other was: is Y2K going to be a thing? Y2K was not a thing. But there were worse disasters to come: Environmental collapse. The return of fascism. Wars. A sexual reckoning. A plague.
Uncertain of what to do she picks up an unfinished project and finds herself trapped with the ghosts of writers past. What began as a novel about a member of the Bloomsbury Set, colonial administrator, publisher and husband of one the most famous English writers of the last hundred years becomes something else altogether.
Complex, heartfelt, darkly funny and deeply moving, this is Sophie Cunningham’s most important book to date – a dazzlingly original novel about what it’s like to live through a time that feels like the end of days, and how we can find comfort and answers in the past.
‘This Devastating Fever is both timely and timeless, a sophisticated work of fiction that addresses the anxieties of the present moment as well as the most profound questions of history, art, love and loss. A magnificent novel.’ –
Emily Bitto author of The Strays and Wild Abandon
‘It takes a phenomenal control of craft, and a keenly honed intelligence, to do what Cunningham has done with this novel: to interrogate politics and art and culture, to take on love and sex and suffering and loyalty, while all the while ensuring that the reader remains buoyant and captivated by narratives that leap across space and time … I loved this book. I absolutely loved it.’
– Christos Tsiolkas, author of The Slap and 7 ½
‘Deeply humane, full of humour, and delightfully gossipy about the sex lives of the Bloomsbury Group, This Devastating Fever is innovative in format, chatty in tone and will seduce readers with its simple, direct voice.’
– Books+Publishing
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