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W-3

W-3

A Memoir

by Bette Howland
Paperback
Publication Date: 08/11/2022

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W-3 is a small psychiatric ward in a large university hospital, a world of pills and passes dispensed by an all-powerful staff, a world of veteran patients with grab-bags of tricks, a world of dishevelled, moment-to-moment existence on the edge of permanence.

Bette Howland was one of those patients. In 1968, Howland was thirty-one, a single mother of two young sons, struggling to support her family on the part-time salary of a librarian; and labouring day and night at her typewriter to be a writer. One afternoon, while staying at her friend Saul Bellow’s apartment, she swallowed a bottle of pills.

W-3 is a vivid – and often surprisingly funny – portrait of the extraordinary community of Ward 3 and a record of a defining moment in a writer’s life. The book itself would be her salvation: she wrote herself out of the grave.

Originally published in 1974 and rediscovered forty years later, this is the first edition of W-3 to be published in the UK. With an original introduction by Yiyun Li, author of Where Reasons End.

‘For a long time it had seemed to me that life was about to begin—real life. But there was always some obstacle in the way . . . At last it had dawned on me that these obstacles were my life.’

ISBN:
9781529035957
9781529035957
Category:
Biography: literary
Format:
Paperback
Publication Date:
08-11-2022
Language:
English
Publisher:
Pan Macmillan
Country of origin:
United Kingdom
Pages:
224
Dimensions (mm):
196x130x22mm
Weight:
0.17kg

‘W-3 is one hell of a debut’
Lucy Scholes, Paris Review

‘At moments dazzlingly and daringly written’
Rachel Cooke, Observer

‘Howland is finally getting the recognition that she deserves’
Sarah Hughes, iNews

Bette Howland

Bette Howland (1937-2017) was the author of three books: W-3, Blue in Chicago, and Things to Come and Go. She received a MacArthur Fellowship in 1984, after which though she continued writing she would not publish another book. Near the end of her life, her stories found new readers when a portfolio of her work appeared in a special issue of A Public Space magazine exploring a generation of women writers, their lifetimes of work, and questions of anonymity and public attention in art.

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