10 Classic Novels Of Manners You Should Read (Golden Deer Classics)

10 Classic Novels Of Manners You Should Read (Golden Deer Classics)

by Golden Deer ClassicsThomas Hardy Guy de Maupassant and others
Epub (Kobo), Epub (Adobe)
Publication Date: 09/03/2017

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The novel of manners is a realistic story that concentrates the reader's attention upon the customs and conversation, and the ways of thinking and valuing of the people of a social class. This Golden Deer Classics collection comprises the following classic novels of manners: Sense and Sensibility - Jane Austen Pride and Prejudice - Jane Austen Persuasion - Jane Austen Vanity Fair - William Makepeace Thackeray Madame Bovary - Gustave Flaubert Anna Karenina - Lev Nikolayevich Tolstoy Bel-Ami - Guy de Maupassant Tess of the d'Urbervilles - Thomas Hardy The House of Mirth - Edith Wharton The Age of Innocence - Edith Wharton

ISBN:
9782377870011
9782377870011
Category:
Short stories
Format:
Epub (Kobo), Epub (Adobe)
Publication Date:
09-03-2017
Language:
English
Publisher:
Oregan Publishing
Thomas Hardy

Thomas Hardy was born in Dorset in 1840. His first published novel was Desperate Remedies in 1871. Such was the success of these early works, which included A Pair of Blue Eyes (1873) and Far From the Madding Crowd (1874), that he gave up his work as an architect to concentrate on his writing.

However, he had difficulty publishing Tess of the D'Urbervilles (1889) and was forced to make changes in order for it to be judged suitable for family readers. This, coupled with the stormy reaction to the negative tone of Jude the Obscure (1895), prompted Hardy to abandon writing novels altogether and he concentrated on poetry for the rest of his life. He died in January 1928.

Guy de Maupassant

Guy de Maupassant was born in Normandy in 1850. In addition to his six novels, which include Bel-Ami (1885) and Pierre et Jean (1888), he wrote hundreds of short stories, the most famous of which is 'Boule de suif'.

By the late 1870s, he began to develop the first signs of syphilis, and in 1891 he was committed to an asylum in Paris, having tried to commit suicide. He died there two years later.

William Makepeace Thackeray

William Makepeace Thackeray was born in Calcutta in 1811. On his way to England from India, the small Thackeray saw Napoleon on St Helena.

In 1837, Thackeray came to London and became a regular contributor to Fraser's Magazine. From 1842 to 1851, he was on the staff of Punch, and this was when he wrote Vanity Fair, the work which placed him in the first rank of novelists. He completed it when he was thirty-seven.

In 1857, Thackeray stood unsuccessfully as a parliamentary candidate for Oxford. In 1859 he took on the editorship of the Cornhill Magazine. He resigned the position in 1862 because kindliness and sensitivity of spirit made it difficult for him to turn down contributors.

Thackeray drew on his own experiences for his writing. He had a great weakness for gambling, a great desire for worldly success, and over his life hung the tragic illness of his wife Isabella, with whom he had hree daughters, one dying in infancy.

Thackeray died December 24, 1863. He was buried in Kensal Green, and a bust by Marochetti was put up to his memory in Westminster Abbey.

Gustave Flaubert

Gustave Flaubert was born in Rouen in 1821, the son of a distinguished surgeon and a doctor's daughter. After three unhappy years of studying law in Paris, an epileptic attack ushered him into a life of writing. Madame Bovary won instant acclaim upon book publication in 1857, but Flaubert's frank display of adultery in bourgeois France saw him go on trial for immorality, only narrowly escaping conviction.

Both Salammbo (1862) and The Sentimental Education (1869) were poorly received, and Flaubert's genius was not publicly recognized until Three Tales (1877). His reputation among his fellow writers, however, was more constant and those who admired him included Turgenev, George Sand, Victor Hugo and Zola. Flaubert's obsession with his art is legendary: he would work for days on a single page, obsessively attuning sentences, seeking always le mot juste in a quest for both beauty and precise observation.

His style moved Edmund Wilson to say,'Flaubert, by a single phrase - a notation of some commonplace object - can convey all the poignance of human desire, the pathos of human defeat; his description of some homely scene will close with a dying fall that reminds one of great verse or music.' Flaubert died suddenly in May 1880, leaving his last work, Bouvard and Pécuchet, unfinished.

Edith Wharton

Edith Wharton (1862-1937) was a brilliant, clever American writer known for such works as The House of Mirth and Ethan Frome. She became the first woman to win a Pulitzer when she was awarded the 1921 Prize for her novel The Age of Innocence.

A member of the New York elite, Wharton funnelled her experiences into vivid portrayals and critiques of high society, while deftly exposing the painful tension between personal desires and societal norms. Wharton died in Paris in 1937 at the age of 75, having written 85 short stories, 16 novels, 11 works of nonfiction, and 3 books of poetry.

Leo Tolstoy

Russian author, a master of realistic fiction and one of the world's greatest novelists.

Tolstoy is best known for his two longest works, War and Peace and Anna Karenina, which are commonly regarded as among the finest novels ever written. War and Peace in particular seems virtually to define this form for many readers and critics. Among Tolstoy's shorter works, The Death of Ivan Ilyich is usually classed among the best examples of the novella. Especially during his last three decades Tolstoy also achieved world renown as a moral and religious teacher. His doctrine of nonresistance to evil had an important influence on Gandhi. Although Tolstoy's religious ideas no longer command the respect they once did, interest in his life and personality has, if anything, increased over the years.

Most readers will agree with the assessment of the 19th-century British poet and critic Matthew Arnold that a novel by Tolstoy is not a work of art but a piece of life; the 20th-century Russian author Isaak Babel commented that, if the world could write by itself, it would write like Tolstoy. Critics of diverse schools have agreed that somehow Tolstoy's works seem to elude all artifice. Most have stressed his ability to observe the smallest changes of consciousness and to record the slightest movements of the body. What another novelist would describe as a single act of consciousness, Tolstoy convincingly breaks down into a series of infinitesimally small steps. According to the English writer Virginia Woolf, who took for granted that Tolstoy was “the greatest of all novelists,” these observational powers elicited a kind of fear in readers, who “wish to escape from the gaze which Tolstoy fixes on us.”

Those who visited Tolstoy as an old man also reported feelings of great discomfort when he appeared to understand their unspoken thoughts. It was commonplace to describe him as godlike in his powers and titanic in his struggles to escape the limitations of the human condition. Some viewed Tolstoy as the embodiment of nature and pure vitality, others saw him as the incarnation of the world's conscience, but for almost all who knew him or read his works, he was not just one of the greatest writers who ever lived but a living symbol of the search for life's meaning.

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