Excerpt: "It should be made clear by way of an introduction to this appraisal of Constantino Brumidi that the author is neither an artist nor an art critic. I am simply the wife of a Western Congressman who has been stirred by the patriotism of the Italian refugee-artist, Brumidi; by his exquisite decorations on the walls and ceilings of our Capitol Building of the United States; by his persistent effort in the face of blinding criticism; and finally by the lack, of recognition characterized by his unmarked burial place. I have asked myself these questions many times: “How can countless exquisite frescoes and paintings adorn our Capitol Building and yet the American people have little or no knowledge of their existence?” “Can an artist spend twenty-five years decorating this Capitol Building and then remain as unknown as his frescoes?” “How could a Government such as ours, that has rewarded so many for so much, forget the artist, Brumidi, and let him lie unhonored and unknown for seventy years in an unmarked grave?”"