Doré's Knights and Medieval Adventure

Doré's Knights and Medieval Adventure

by Gustave Doré and Jeff A. Menges
Epub (Kobo), Epub (Adobe)
Publication Date: 19/12/2012

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The exuberant art of Gustave Doré (1832–83) has influenced romantics and realists around the world. A self-taught child prodigy who met with early and resounding success, Doré ranks among the most prolific and popular illustrators of all time. Known as "the master of the fantastic," he excelled in conveying dramatic action in memorable settings. This original collection assembles for the first time Doré's best work depicting knights and their adventures. It features eighty-six captivating scenes of battles, damsels, dragons, and other images from the Age of Chivalry.

Advances in science and technology introduced irrevocable changes to the society of Doré and his contemporaries and aroused a nostalgia for simpler times. The moral certitude and stability embodied in Arthurian myths and other medieval romances proved as appealing to Victorians as they do to modern audiences. This collection features highlights from eight volumes that span more than two decades of Doré's career, including scenes from Tennyson's Idylls of the King. Other sources include Don Quixote, Orlando Furioso, Rabelais' The Life of Gargantua and of Pantagruel, and Michaud's History of the Crusades.

ISBN:
9780486138343
9780486138343
Category:
History of art: Byzantine & Medieval art c 500 CE to c 1400
Format:
Epub (Kobo), Epub (Adobe)
Publication Date:
19-12-2012
Language:
English
Publisher:
Dover Publications
Gustave Doré

The most popular and successful French book illustrator of the mid 19th century. Doré became very widely known for his illustrations to such books as Dante's Inferno (1861), Don Quixote (1862), and the Bible (1866), and he helped to give European currency to the illustrated book of large . He was so prolific that at one time he employed more than forty blockcutters.

His work is characterized by a rather naïve but highly spirited love of the grotesque and represents a commercialization of the Romantic taste for the bizarre. Drawings of London done in 1869-71 were more sober studies of the poorer quarters of the city and captured the attention of van Gogh.

In the 1870s he also took up painting (doing some large and ambitions religious works) and sculpture (the monument to the dramatist and novelist Alexandre Dumas in the Place Malesherbes in Paris, erected in 1883, is his work)

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