The relationship between Christian theology and music has been complex since the early days

of the Church. In the twentieth century the secularization of Western culture has led to further

complexity. The search for the soul, following Nietzsche’s declaration of the Death of God has

led to an increasing body of literature in many fields on spirituality. This book is an attempt

to open up a conversation between these related discourses, with contributions reflecting a

range of perspectives within them. It is not the final word on the relationship but expresses a

conviction about their relationship. Collecting together such a variety of approaches allows new

understandings to emerge from their juxtaposition and collation. This book will contribute to

the ongoing debate between theology, spirituality, culture and the arts. It includes contexts with

structured relationships between music and the Church alongside situations where spirituality

and music are explored with sometimes distant echoes of Divinity and ancient theologies

reinterpreted for the contemporary world.