How does the visual nature of spectacle inform the citizenry, destabilize the political, challenge aesthetic convention and celebrate cultural creativity? What are the limits – aesthetic, political, social, cultural, economic – of spectacle? How do we explain the inherently exclusionary, revolutionary, dehumanizing and utopian elements of spectacle?
In this book, authors from the fields of cultural studies, cinema studies, history and art history examine the concept of spectacle in the German context across various media forms, historical periods and institutional divides. Drawing on theoretical models of spectacle by Guy Debord, Max Horkheimer and Theodor Adorno, Jonathan Crary and Michel Foucault, the contributors to this volume suggest that a decidedly German concept of spectacle can be gleaned from critical interventions into exhibitions, architectural milestones, audiovisual materials and cinematic and photographic images emerging out of German culture from the Baroque to the contemporary.
- ISBN:
- 9783035397796
- 9783035397796
- Category:
- Literature: history & criticism
- Format:
- Epub (Kobo), Epub (Adobe)
- Publication Date:
- 31-08-2015
- Language:
- English
- Publisher:
- Peter Lang AG, Internationaler Verlag der Wissenschaften
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You can find this item in:
Anthropology
Art: financial aspects
Communication studies
The arts: general issues
Cultural studies
Literature: history & criticism
Social & cultural anthropology
History of art & design styles: c 1800 to c 1900
Regional studies
History of art / art & design styles
The arts
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