Probably the most exasperating thing about the Fashion is its elusiveness. Even the word has a dozen definitions, and when it is pinned down and qualified, as “the Fashion in woman’s dress,” it becomes ridiculous and stilted and is gone again.
To catch at its skirts it is safest to say that it is a kind of miracle, a familiar phenomenon. Why it is that a garment which is honestly attractive in, say, 1910 should be honestly ridiculous a few years later and honestly charming again a few years later still is one of those things which are not satisfactorily to be explained and are therefore jolly and exciting and an addition to the perennial interest of life.
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