The Greatest Regency Romance Novels

The Greatest Regency Romance Novels

by Samuel RichardsonMaria Edgeworth Henry Fielding and others
Epub (Kobo), Epub (Adobe)
Publication Date: 16/12/2023

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In times when the constraining customs and public scrutiny prevailed, there were still female writers who wrote about the true nature of woman's passion. Good Press presents to you the authentic regency books, the tales of love, lust, pleasure and betrayal: Love in Excess (Eliza Haywood) Fantomina (Eliza Haywood) The History of Miss Betsy Thoughtless (Eliza Haywood) The Fortunate Foundlings (Eliza Haywood) Belinda (Maria Edgeworth) Patronage (Maria Edgeworth) Dangerous Liaisons (Pierre Choderlos de Laclos) War and Peace (Leo Tolstoy) Evelina (Fanny Burney) Cecilia (Fanny Burney) Camilla (Fanny Burney) The Wanderer (Fanny Burney) Mary: A Fiction (Mary Wollstonecraft) Pride and Prejudice (Jane Austen) Sense and Sensibility (Jane Austen) Mansfield Park (Jane Austen) Emma (Jane Austen) Persuasion (Jane Austen) Miss Marjoribanks (Mrs. Olifant) Phoebe, Junior (Mrs. Olifant) Vanity Fair (William Makepeace Thackeray) Pamela (Samuel Richardson) Anti-Pamela (Eliza Haywood) Shamela (Henry Fielding)

ISBN:
8596547779841
8596547779841
Category:
Historical romance
Format:
Epub (Kobo), Epub (Adobe)
Publication Date:
16-12-2023
Language:
English
Publisher:
GoodPress
Mary Wollstonecraft

Mary Wollstonecraft (1759-97) was an educational, political and feminist writer who early in her life worked as a companion, teacher and governess.

In 1788 she settled in London as a translator and reader for the publisher Joseph Johnson, becoming part of the radical set that included Paine, Blake, Godwin and the painter Fuseli. Her great work, A Vindication of the Rights of Woman, was published in 1792.

She lived in Paris during the French Revolution and had a child by the American Gilbert Imlay, who deserted her. She returned to London in 1795 and, following her attempted suicide, became involved with Godwin, whom she married in 1797, shortly before the birth (which proved fatal) of her daughter, the future Mary Shelley. She left several unfinished works, including Maria.

William Makepeace Thackeray

William Makepeace Thackeray was born in Calcutta in 1811. On his way to England from India, the small Thackeray saw Napoleon on St Helena.

In 1837, Thackeray came to London and became a regular contributor to Fraser's Magazine. From 1842 to 1851, he was on the staff of Punch, and this was when he wrote Vanity Fair, the work which placed him in the first rank of novelists. He completed it when he was thirty-seven.

In 1857, Thackeray stood unsuccessfully as a parliamentary candidate for Oxford. In 1859 he took on the editorship of the Cornhill Magazine. He resigned the position in 1862 because kindliness and sensitivity of spirit made it difficult for him to turn down contributors.

Thackeray drew on his own experiences for his writing. He had a great weakness for gambling, a great desire for worldly success, and over his life hung the tragic illness of his wife Isabella, with whom he had hree daughters, one dying in infancy.

Thackeray died December 24, 1863. He was buried in Kensal Green, and a bust by Marochetti was put up to his memory in Westminster Abbey.

Leo Tolstoy

Russian author, a master of realistic fiction and one of the world's greatest novelists.

Tolstoy is best known for his two longest works, War and Peace and Anna Karenina, which are commonly regarded as among the finest novels ever written. War and Peace in particular seems virtually to define this form for many readers and critics. Among Tolstoy's shorter works, The Death of Ivan Ilyich is usually classed among the best examples of the novella. Especially during his last three decades Tolstoy also achieved world renown as a moral and religious teacher. His doctrine of nonresistance to evil had an important influence on Gandhi. Although Tolstoy's religious ideas no longer command the respect they once did, interest in his life and personality has, if anything, increased over the years.

Most readers will agree with the assessment of the 19th-century British poet and critic Matthew Arnold that a novel by Tolstoy is not a work of art but a piece of life; the 20th-century Russian author Isaak Babel commented that, if the world could write by itself, it would write like Tolstoy. Critics of diverse schools have agreed that somehow Tolstoy's works seem to elude all artifice. Most have stressed his ability to observe the smallest changes of consciousness and to record the slightest movements of the body. What another novelist would describe as a single act of consciousness, Tolstoy convincingly breaks down into a series of infinitesimally small steps. According to the English writer Virginia Woolf, who took for granted that Tolstoy was “the greatest of all novelists,” these observational powers elicited a kind of fear in readers, who “wish to escape from the gaze which Tolstoy fixes on us.”

Those who visited Tolstoy as an old man also reported feelings of great discomfort when he appeared to understand their unspoken thoughts. It was commonplace to describe him as godlike in his powers and titanic in his struggles to escape the limitations of the human condition. Some viewed Tolstoy as the embodiment of nature and pure vitality, others saw him as the incarnation of the world's conscience, but for almost all who knew him or read his works, he was not just one of the greatest writers who ever lived but a living symbol of the search for life's meaning.

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