The Musical Traditions of Northern Ireland and its Diaspora

The Musical Traditions of Northern Ireland and its Diaspora

by David Cooper
Epub (Kobo), Epub (Adobe)
Publication Date: 16/08/2017

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For at least two centuries, and arguably much longer, Ireland has exerted an important influence on the development of the traditional, popular and art musics of other regions, and in particular those of Britain and the United States. During the past decade or so, the traditional musics of the so-called Celtic regions have become a focus of international interest. The phenomenal success of shows such as Riverdance (which appeared in 1995, spawned from a 1994 Eurovision Song Contest interval act) brought Irish music and dance to a global audience and played a part in the further commoditization of Irish culture, including traditional music. However, there has been until now, relatively little serious musicological study of the traditional music of Northern Ireland. Northern Ireland remains a divided community in which traditional culture, in all its manifestations, is widely understood as a marker of religious affiliation and ethnic identity. Since the outbreak of the most recent 'troubles' around 1968, the borders between the communities have often been marked by music. For example, many in the Catholic, nationalist community, regard the music of Orange flute bands and Lambeg drums as a source of intimidation. Equally, many in the Protestant community have distanced themselves from Irish music as coming from a different ethnic tradition, and some have rejected tunes, styles and even instruments because of their association with the Catholic community and the Irish Republic. Of course, during the same period many other Protestants and Catholics have continued to perform in an apolitical context and often together, what in earlier times would simply have been regarded as folk or country music. With the increasing espousal of a discrete Ulster Scots tradition since the signing of the Belfast (or 'Good Friday') Agreement in 1998, the characteristics of the traditional music performed in Northern Ireland, and the place of Protestant musicians within popular Irish cult

ISBN:
9781351542074
9781351542074
Category:
Music
Format:
Epub (Kobo), Epub (Adobe)
Publication Date:
16-08-2017
Language:
English
Publisher:
Taylor & Francis
David Cooper

Dave Cooper is a cartoonist, illustrator and graphic designer who lives in Ottawa, Ontario. First known for his comics, he has also worked extensively as a designer, producer, and creator in the field of animation: his designs have been used in Futurama, Nickelodeon's Pig Goat Banana Cricket, of which he was co-creator, and Teletoon's The Bagel and Becky Show, which he created. As of 2003, Cooper has focused on oil painting and fine art, exhibiting in galleries in New York, Los Angeles and Paris, where he has gathered a celebrity cult following that includes David Cross, David Cronenberg, and Guillermo del Toro.

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