significant violinist. Much of the documentary material Lister cites is previously unknown or not translated. Lister's biography takes the reader on a fascinating journey over the European continent and into the
musical culture of the late 18th century. Born one year prior to Mozart and dying three years before Beethoven's death, Viotti rose from the humble origins of a blacksmith's son in a village near Turin, Italy, to international fame. His multifarious career as a concert performer, composer, teacher, opera theater director, and impresario was played out against the backdrop of a dramatically changing world - he served as a court musician for no less a figure than Marie Antoinette before founding
an opera house in Paris. Viotti also knew tragedy as well as success: he was forced to flee the French Revolution, he was exiled from England for an extended period based on suspicions of certain
Jacobin tendencies, his attempt to establish himself in business met with failure, and he died heavily in debt. Lister concludes Amico by coming to grips with the very things that account for Viotti's greatness and influence: the technical aspects of his violin playing and compositions. With its extensive documentary research and the inclusion of translations of various archival documents, this is the essential English-language biography of Viotti, a significant addition to the
libraries of students and scholars of 18th and early 19th century music, as well as violin performers, students, and instructors.
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