Rentetzi expands the notion of material culture to include not only instruments and objects but also materials that operated as both commodities and objects of scientific inquiry. She tells a multifaceted story of how purified radium ended up on laboratory benches and who extracted and isolated it from tons of residues; the individuals who designed experiments and instruments for probing radium's properties; and those who carried radium outside of the physics laboratory and into the clinic and medical amphitheatres. Rentetzi examines how the architecture of the laboratory affected men's and women's scientific work and the way in which its urban setting reflected assumptions about scientific cross-disciplinary collaborations.
Following the circulation of radium and the pursuit of power through strategies of partnership and collaboration, Rentetzi redraws paths of scientific exchange and transfers the reader from scientific laboratories to hospitals and from academic to industrial sites.
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