Singing styles of whatever kind intimately reflect the societies and communities that nurture them. When middle-class English men and boys learned to sing at King's their music-making demonstrated fastidious control and restraint and an absence of vibrato and of strong dynamic contrasts. Why did they sing like that? How had this style evolved? Why did it draw in and move so profoundly many men and women of different faiths and of none all round the world? This book provides original answers to these questions.
King's College, Cambridge, and an English Singing Style
Hardback
Publication Date: 15/11/2018
Like so many ancient English customs, the singing style of the choir of King's College, Cambridge is of Victorian origin. Before then, most of the singers had possessed only the most rudimentary musical knowledge, and the singing had been rough and harsh. By the 1930s all the men were choral scholars, and the choir, directed by a fellow of the College, was distinguished by its sweetness and brightness. It quickly became famous through broadcasts and especially with the Christmas Eve transmission of the Ceremony of Nine Lessons and Carols, whose 100th anniversary falls this year. But it was with the LP record in the 1950s and 60s, when the choir was directed by David Willcocks, that the singing style became fixed in public consciousness as the quintessence of English cathedral music.
Singing styles of whatever kind intimately reflect the societies and communities that nurture them. When middle-class English men and boys learned to sing at King's their music-making demonstrated fastidious control and restraint and an absence of vibrato and of strong dynamic contrasts. Why did they sing like that? How had this style evolved? Why did it draw in and move so profoundly many men and women of different faiths and of none all round the world? This book provides original answers to these questions.
Singing styles of whatever kind intimately reflect the societies and communities that nurture them. When middle-class English men and boys learned to sing at King's their music-making demonstrated fastidious control and restraint and an absence of vibrato and of strong dynamic contrasts. Why did they sing like that? How had this style evolved? Why did it draw in and move so profoundly many men and women of different faiths and of none all round the world? This book provides original answers to these questions.
- ISBN:
- 9780241352182
- 9780241352182
- Category:
- Choral music
- Format:
- Hardback
- Publication Date:
- 15-11-2018
- Publisher:
- Penguin Books Ltd
- Country of origin:
- United Kingdom
- Pages:
- 416
- Dimensions (mm):
- 240x162x38mm
- Weight:
- 0.68kg
Click 'Notify Me' to get an email alert when this item becomes available
Great!
Click on Save to My Library / Lists
Click on Save to My Library / Lists
Select the List you'd like to categorise as, or add your own
Here you can mark if you have read this book, reading it or want to read
Awesome! You added your first item into your Library
Great! The fun begins.
Click on My Library / My Lists and I will take you there
Click on My Library / My Lists and I will take you there
Reviews
Be the first to review I Saw Eternity the Other Night.
Share This Book: