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The World Atlas of Street Art and Graffiti

The World Atlas of Street Art and Graffiti

by Rafael Schacter
Hardback
Publication Date: 03/09/2013

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Painted murals first appeared in Latin America in the early 20th century; in the 1950s, spray-can graffiti associated with Latino gangs followed, notably the "cholo" graffiti of Los Angeles. Today, street art has traveled to nearly every corner of the globe, evolving into a highly complex and ornate art form. The World Atlas of Street Art and Graffiti is the definitive survey of international street art, focusing on the world's most influential urban artists and artworks. Since the lives and works of urban artists are inextricably linked to specific streets and places, this beautifully illustrated volume features specially commissioned "city artworks" that provide an intimate understanding of these metropolitan landscapes.



Organized geographically by country and city, more than 100 of today's most important street artists-including Espo in New York, Shepard Fairey in Los Angeles, Os Gemeos in Brazil, and Anthony Lister in Australia-are profiled alongside key examples of their work. The evolution of street art and graffiti within each region is also chronicled, providing essential historical context. With contributions by the foremost authorities on street art and graffiti, this landmark publication provides a nuanced understanding of a widespread contemporary art practice. The World Atlas of Street Art and Graffiti emphasizes urban art's powerful commitment to a spontaneous creativity that is inherently connected to the architecture of the metropolis.
ISBN:
9780300199420
9780300199420
Category:
Graffiti & street art
Format:
Hardback
Publication Date:
03-09-2013
Language:
English
Publisher:
Yale University Press
Country of origin:
United States
Pages:
400
Dimensions (mm):
235x222x38mm
Weight:
1.79kg
Rafael Schacter

Dr Rafael Schacter is an anthropologist and curator from London. He co-curated the Street Art' exhibition at Tate Modern, London, in 2008. He has written for a variety of publications and has lectured on Independent Public Art around the world.

His ethnography, Ornament and Order, is based on an ongoing engagement as well as more than two years' in-depth fieldwork with some of the world's most important Independent Public Artists.

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