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On Weaving

On Weaving

New Expanded Edition

by Anni Albers
Hardback
Publication Date: 10/10/2017

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The classic book on the art and history of weaving--now expanded and in full color

Written by one of the twentieth century's leading textile artists, this splendidly illustrated book is a luminous meditation on the art of weaving, its history, its tools and techniques, and its implications for modern design. First published in 1965, On Weaving bridges the transition between handcraft and the machine-made, highlighting the essential importance of material awareness and the creative leaps that can occur when design problems are tackled by hand.

With her focus on materials and handlooms, Anni Albers discusses how technology and mass production place limits on creativity and problem solving, and makes the case for a renewed embrace of human ingenuity that is particularly important today. Her lucid and engaging prose is illustrated with a wealth of rare and extraordinary images showing the history of the medium, from hand-drawn diagrams and close-ups of pre-Columbian textiles to material studies with corn, paper, and the typewriter, as well as illuminating examples of her own work.

Now available for a new generation of readers, this expanded edition of On Weaving updates the book's original black-and-white illustrations with full-color photos, and features an afterword by Nicholas Fox Weber and essays by Manuel Cirauqui and T'ai Smith that shed critical light on Albers and her career.

ISBN:
9780691177854
9780691177854
Category:
Painting & art manuals
Format:
Hardback
Publication Date:
10-10-2017
Language:
English
Publisher:
Princeton University Press
Country of origin:
United States
Dimensions (mm):
285x222x32.29mm
Weight:
1.5kg
Anni Albers

Known for her pioneering graphic wall hangings, weavings, and designs, Anni Albers(1899-1994) is considered one of the most important abstract artists of the twentieth century, as well as an influential designer, printmaker, and educator. Born in Berlin, she studied weaving at the Bauhaus beginning in 1922, eventually joining the faculty in 1929. Her innovative textiles from this period combined avant-garde geometric abstractions with weaving for the first time, creating works that were at once functional and aesthetic. Albers was deeply influenced by pre-Columbian art and textiles, which she encountered on trips to Mexico during her time teaching at Black Mountain College between 1933 and 1949.She went on to employ long-forgotten techniques discovered through her in-depth study and collection of these works, leading eventually to the creation of her pictorial weavings of the 1950s.

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