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Islamic Architecture

Islamic Architecture

Form, Function and Meaning

by Robert Hillenbrand
Publication Date: 04/11/1994

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$299.00
Winner of the American Publishers Association's Award for an outstanding Professional and Scholarly title and the Alice Davis Hitchcock Medallion 1996 from the Society of Architectural Historians of Great Britain. In a dazzling display of erudition, Robert Hillenbrand surveys the major building-types of the Islamic World: religious architecture (the mosque, the minaret, the madrasa), the mausoleum 'between Heaven and Earth', and the caravansarai and the palace representing the secular side. All the building-types are discussed in art-historical terms, with the interplay of form and function taken as the underlying theme of the analysis. All are comprehensively illustrated with a full range of colour and black-and-white photographs, analytical drawings, thumbnail comparative assemblies and ground plans. This major reference work, covering from Spain to Afghanistan and c. 700 to c. 1700, is a source of fascination for all seeking to appreciate the rich heritage of the Islamic World.
Recurrent themes and patterns take on a wider significance - a persistent reminder that the Islamic faith and the particular type of society which it engendered makes light of vast gulfs of time and space. Features: *24 colour plates *300 black-and-white photographs *1246 line drawings *Section of composite drawings and ground plans Available in Hardback (originally published in 1994) and a revised paperback edition published in 2000. This new paperback edition includes a previously unpublished index, designed to make the book more user-friendly.
ISBN:
9780748604791
9780748604791
Category:
Architecture
Publication Date:
04-11-1994
Language:
English
Publisher:
Edinburgh University Press
Country of origin:
United Kingdom
Pages:
656
Dimensions (mm):
246x189x50mm
Weight:
1.88kg
Robert Hillenbrand

Professor Robert Hillenbrand was educated at the universities of Cambridge and Oxford and has taught at the University of Edinburgh, where he is now an honorary professorial fellow, since 1971. He was Islamic art adviser to the 36-volume Macmillan Dictionary of Art. He has also served on the Councils of the British School of Archaeology in Jerusalem, British Research in the Levant, and the British Institute of Persian Studies.

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