In this authoritative study, Davalos challenges the sometimes hidden, sometimes blatant assumptions that underlie the practice of creating museum exhibits, and asks what happens when people of Mexican (American) descent put themselves in command of the collection, display, and interpretation of their cultural products. Davalos pays particular attention to museum and cultural centres in major Mexican diaspora communities, including the Mexican Fine Arts Museum in Chicago and Galeria de la Raza in San Francisco. Throughout she critically examines Chicano, Mexican, Mestizo, and Mexican American subjectivities as they are expressed in curatorial decisions and practices, in educational materials and catalogue texts, and in the performances and other public events that accompany museum exhibits. That practice -- what Davalos calls 'exhibiting mestizaje' -- produces complex representations of Mexican (Americans). Davalos's analysis shows clearly that the value of mestizaje and diaspora lies in their ability to create a cultural poetics from fluidity and conflict.