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Crossroads

Crossroads

How the Blues Shaped Rock 'n' Roll (and Rock Saved the Blues)

by John Milward
Hardback
Publication Date: 11/06/2013

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The blues revival of the early 1960s brought new life to a seminal genre of American music and inspired a vast new world of singers, songwriters, and rock bands. The Rolling Stones took their name from a Muddy Waters song; Led Zeppelin forged bluesy riffs into hard rock and heavy metal; and ZZ Top did superstar business with boogie rhythms copped from John Lee Hooker. Crossroads tells the myriad stories of the impact and enduring influence of the early-'60s blues revival: stories of the record collectors, folkies, beatniks, and pop culture academics; and of the lucky musicians who learned life-changing lessons from the rediscovered Depression-era bluesmen that found hipster renown by playing at coffeehouses, on college campuses, and at the Newport Folk Festival. The blues revival brought notice to these forgotten musicians, and none more so than Robert Johnson, who had his songs covered by Cream and the Rolling Stones, and who sold a million CDs sixty years after dying outside a Mississippi Delta roadhouse. Crossroads is the intersection of blues and rock 'n' roll, a vivid portrait of the fluidity of American folk culture that captures the voices of musicians, promoters, fans, and critics to tell this very American story of how the blues came to rest at the heart of popular music.

ISBN:
9781555537449
9781555537449
Category:
Rock & Pop music
Format:
Hardback
Publication Date:
11-06-2013
Language:
English
Publisher:
Northeastern University Press
Country of origin:
United States
Dimensions (mm):
241.55x164.08x24.13mm
Weight:
0.61kg
John Milward

John Milward has written about popular music for more than forty years; he was the chief pop music critic for the Chicago Daily News and USA Today, and has written for Rolling Stone, the New York Times, and No Depression. He is the author of Crossroads: How the Blues Shaped Rock 'n' Roll (and Rock Saved the Blues). Margie Greve's work has appeared in Rolling Stone and the New Yorker and has been shown in galleries in New York City and the Hudson Valley.

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