Full of sensitive photographs that do not shock but seek to suggest lives beyond their representations, this pictorial journey commemorates figures with the dignity of being people rather than victims. As social history, they construct a narrative of development that is ultimately positive even though some of the individual images are so delicately, tragically moving. These pictures show the community not only in its devastation but also in its social and historical particularity. The interiors, the clothes, the miners going underground, the woman holding a baby in a shawl--all paint a portrait of something lost.